From: "Erik Olson" Sent: Tuesday, May 02, 2000 11:06 AM > So for now, just call me "A-to-D Man". I'll get back to scanning > negatives, OCR'ing journals, and capturing those old open- > reel tapes to CD. :) Having worked with just about every film format from 16mm (remember the old Minox "spy cams"?) to 8-1/2 x 11 sheets, I have to side with the "hard copy" folks. There are simply too many variables that an "affordable" digital takes for granted in deference to our "gotta-have-it-now" societal concerns. Plus I am much more capable in the darkroom than most of the manipulative programs available for graphics on the computer (although computers still hold the edge on "enhancement" techniques because I'm not as adept at things like Fourier transformations and such...) Two questions pop to my mind - one from this discussion and another from previous discourses: Mike Wise mentioned using his digital for most of the work while being able to produce slides and such by "photographing his monitor" with a "cheap SLR". OK, I can see that happening - somewhat... What combination of film/shutter speed and monitor refresh rate gives you good, clear shots without "looking like a picture of an electronic display"? You know - no visible "banding", retrace "highs and lows", etc. Even Hollywood gave up on trying to make a picture of an active screen look "natural". And, to tie in to my opening quote from Erik: You've mentioned scanning both slides and, here, print negatives. In my part of the world, those types of scanners run far and above the cost of reasonably sharp flat beds and the like. Can you dwell a little on what you're using here? I've finally managed to replace my bodies and lenses (as well as the other sundries - flashes, slaves, etc.), but lose a bit of the quality in having to produce digitals from hard copies. Work to produce a quality image from the negative, then work to produce a good digital from the photo - I don't know, but this seems like too much duplication of effort to me. Why not cut out the extra step and cut straight to the chase?... -Y- David A. Youngker nestor10@mindspring.com ------------------------------------------------------------------------- This is the apistogramma mailing list, apisto@listbox.com. For instructions on how to subscribe or unsubscribe or get help, email apisto-request@listbox.com. Search http://altavista.digital.com for "Apistogramma Mailing List Archives"!